Def Räädu plaanib koos Bashment Kingz Sound'i ja General Levy'ga laupäeval Korteris valmis meisterdada video albumil "Ahvid & klahvid" olevale loole "Give It To Dem"! Nii et kõik peole, loo ajal käpad püsti ja näod särama, et pärast oleks hea ennast videost vaadata! :)
Def Räädu plaanib koos Bashment Kingz Sound'i ja General Levy'ga laupäeval Korteris valmis meisterdada video albumil "Ahvid & klahvid" olevale loole "Give It To Dem"! Nii et kõik peole, loo ajal käpad püsti ja näod särama, et pärast oleks hea ennast videost vaadata! :)
JES STAR!
NELJAPÄEVAL (-4-MAR2010) LOOSITAKSE R2 SAATES "REGGAE POWER" VABAPÄÄSMEID UNBLOCK-ile, NING SAMUTI KA REEDEL SAATES "SOOVIKAS" (-5-FEB2010)
...24h loosimine via http://www.klubid.ee
...so stay tjuned!
GENERAL LEVY bashile kaasa-kaasa:
1. hea tuju!!
2. tulemasin (lightas mi Star!)
3. hea sõber kaasa!
:D:D
JES STAR!
NELJAPÄEVAL (-4-MAR2010) LOOSITAKSE R2 SAATES "REGGAE POWER" VABAPÄÄSMEID UNBLOCK-ile, NING SAMUTI KA REEDEL SAATES "SOOVIKAS" (-5-FEB2010)
...24h loosimine via http://www.klubid.ee
...so stay tjuned!
GENERAL LEVY bashile kaasa-kaasa:
1. hea tuju!!
2. tulemasin (lightas mi Star!)
3. hea sõber kaasa!
:D:D
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General Levy is a true veteran of the UK urban music scene. Born Paul Levy in Central Middlesex Hospital NW10 London England in 1971, Levy grew up in the vibrant Harlesden and Wembley area for most of his early years, surrounded by different West Indian, European, Asian and African influences. He grew up in a community heavily influenced by reggae music and black culture and from an early age, a certain militancy was instilled in him along with a love and respect for rebel music. He was also inspired by his big brother Winston Irie who had a vast record collection of music from ska to rock steady, calypso to soul, hip hop and reggae that gave Levy a steady diet of music through his adolescent years. In 1981 Levy started collecting sound system dancehall tapes from Jamaica and UK which were a big inspiration to him as it captured the live atmosphere of the session on cassettes which Levy soon became an avid collector of. At the age of twelve Levy started writing lyrics and by fourteen he formed a sound system along with his friends which they called Third Dimension. It was the first of many sounds Levy would join. He went on to various sound systems in the north west London area such as Vigilante from Stonebridge and Java Nuclear Power where he met Joe 90 and crew, but it was TipperTone Sound that really signified the arrival of General Levy to the UK MC circuit. Levy went on to build a reputation as a creative and talented MC in the area and after a few years on the circuit he was soon approached to do some studio recordings. Lloydy Crucial and Robbo Ranx were the first producers to work with Levy on studio projects releasing underground tracks such as ‘Tell Me Why’ and ‘You Can’t Hurry Love’ in which Levy was assisted by the vocal talents of longtime singer bredrin Jnr Dan. Levy then went on to work with one of the biggest independent reggae labels Fashion Records who alongside their in house producer Gussie P unleashed a string of underground dancehall fillers such as ‘Original Length and Strength’, ‘Heat’, ‘Breeze’, ‘The Wig’ and ‘Champagne Body’. He released his first album for Gussie P, entitled Double Trouble in 1992 which was collaboration with Jamaican superstar Capleton which confirmed Levy’s arrival on the international reggae circuit. He went on to work with various UK labels such as Justice Records owned by hip-hop DJ Tim Westwood, also Fashion Records in which he released his second album ‘Wickeder General’ which was voted best reggae album for 1992. The album track ‘Heat’ was voted best single and General himself was voted best reggae DJ/MC by the British reggae industry in which Levy was presented with three gold awards in one night at the London Hippodrome by Frank Bruno amongst other celebs. Levy was also voted best UK singer the following year at a The Black Music Awards which confirmed Levy as the UK premiere MC. Fashion Records and The General were approached later on in 1993 by London Records to re-release the award winning album Wickeder General repackaged with bonus tracks and re-titled Wickedness Increase in which one of the tracks titled ‘Monkeyman’; a Toots and the Maytals classic was chosen to be released as a single. Levy called upon the singing talents of longtime singer friend Jnr Dan to collaborate on the track with him which went on to receive moderate but adequate success in the mainstream charts. In spring 1994, Levy was approached by independent jungle label Renk Records to collaborate with up and coming hot jungle producer M Beat who had already established himself in the underground jungle arena with a string of hits to his credit. The collaboration was a success and the track ‘Incredible’ was unleashed June 1994 and after causing a massive storm on the underground it went on to be licensed to London Records, then subsequently went on to achieve top ten status in the national mainstream charts bringing the track worldwide acclaim as one of the biggest jungle tunes on the dance floor. Since then General Levy has gone on to work with various producers such as Sly & Robbie and Sting International, Shaggy, Steelie & Cleevie, Artful Dodger, Jetstar, Ajang, Joe Grind, Gussie P, Stingray, Heartical Records, to name but a few. Levy remains a Lionheart artist riding through the ups and downs of the music business and still maintaining focus, a love and joy for the business and people; and just like a fine wine getting even better with time and bringing the fire to any place he performs at!.....Peace and Jah love.
[Edited by Ms P Greene]
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General Levy is a true veteran of the UK urban music scene. Born Paul Levy in Central Middlesex Hospital NW10 London England in 1971, Levy grew up in the vibrant Harlesden and Wembley area for most of his early years, surrounded by different West Indian, European, Asian and African influences. He grew up in a community heavily influenced by reggae music and black culture and from an early age, a certain militancy was instilled in him along with a love and respect for rebel music. He was also inspired by his big brother Winston Irie who had a vast record collection of music from ska to rock steady, calypso to soul, hip hop and reggae that gave Levy a steady diet of music through his adolescent years. In 1981 Levy started collecting sound system dancehall tapes from Jamaica and UK which were a big inspiration to him as it captured the live atmosphere of the session on cassettes which Levy soon became an avid collector of. At the age of twelve Levy started writing lyrics and by fourteen he formed a sound system along with his friends which they called Third Dimension. It was the first of many sounds Levy would join. He went on to various sound systems in the north west London area such as Vigilante from Stonebridge and Java Nuclear Power where he met Joe 90 and crew, but it was TipperTone Sound that really signified the arrival of General Levy to the UK MC circuit. Levy went on to build a reputation as a creative and talented MC in the area and after a few years on the circuit he was soon approached to do some studio recordings. Lloydy Crucial and Robbo Ranx were the first producers to work with Levy on studio projects releasing underground tracks such as ‘Tell Me Why’ and ‘You Can’t Hurry Love’ in which Levy was assisted by the vocal talents of longtime singer bredrin Jnr Dan. Levy then went on to work with one of the biggest independent reggae labels Fashion Records who alongside their in house producer Gussie P unleashed a string of underground dancehall fillers such as ‘Original Length and Strength’, ‘Heat’, ‘Breeze’, ‘The Wig’ and ‘Champagne Body’. He released his first album for Gussie P, entitled Double Trouble in 1992 which was collaboration with Jamaican superstar Capleton which confirmed Levy’s arrival on the international reggae circuit. He went on to work with various UK labels such as Justice Records owned by hip-hop DJ Tim Westwood, also Fashion Records in which he released his second album ‘Wickeder General’ which was voted best reggae album for 1992. The album track ‘Heat’ was voted best single and General himself was voted best reggae DJ/MC by the British reggae industry in which Levy was presented with three gold awards in one night at the London Hippodrome by Frank Bruno amongst other celebs. Levy was also voted best UK singer the following year at a The Black Music Awards which confirmed Levy as the UK premiere MC. Fashion Records and The General were approached later on in 1993 by London Records to re-release the award winning album Wickeder General repackaged with bonus tracks and re-titled Wickedness Increase in which one of the tracks titled ‘Monkeyman’; a Toots and the Maytals classic was chosen to be released as a single. Levy called upon the singing talents of longtime singer friend Jnr Dan to collaborate on the track with him which went on to receive moderate but adequate success in the mainstream charts. In spring 1994, Levy was approached by independent jungle label Renk Records to collaborate with up and coming hot jungle producer M Beat who had already established himself in the underground jungle arena with a string of hits to his credit. The collaboration was a success and the track ‘Incredible’ was unleashed June 1994 and after causing a massive storm on the underground it went on to be licensed to London Records, then subsequently went on to achieve top ten status in the national mainstream charts bringing the track worldwide acclaim as one of the biggest jungle tunes on the dance floor. Since then General Levy has gone on to work with various producers such as Sly & Robbie and Sting International, Shaggy, Steelie & Cleevie, Artful Dodger, Jetstar, Ajang, Joe Grind, Gussie P, Stingray, Heartical Records, to name but a few. Levy remains a Lionheart artist riding through the ups and downs of the music business and still maintaining focus, a love and joy for the business and people; and just like a fine wine getting even better with time and bringing the fire to any place he performs at!.....Peace and Jah love.
[Edited by Ms P Greene]
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LAUP -20- veebruar (tuisukuu) @ von Krahl
Rataskaevu 10, Tln
BASHMENT: VIDEO-DANCEHALL-DISKO
Erikülaline maailmakuulus Sounds of HipHop
DJ MÖLS,
kes seekord lisaks muusikale valib ka muuvid, gruuvid ja kõik muu
peoks vajaliku von Krahli ekraanile olles LIVE VJ ning miskides
reggae, dancehall ja muid muusikavideoid.
Mikrofooni oma hääletooni andmas Bashmendi kunn ja lavalaudade panter
MC J.O.C.
Muusikat kõlaritesse kruttimas Bashment KingzSoundi
RINGO,
TARRVI,
DICE RUDY
UKSED 22:00!
Bashment Caribba rumdrink all nite long!
Special guest U, mi Star!
Pääse:
ENNE KESKÖÖD flaieriga 75, ilma 100
AFTER MIDNIGHT w.flaier 100, without flaier 125
Print Flaier: http://www.bashment.ee
VABAPÄÄSMEID SEBIB: http://www.klubid.ee
LAUP -20- veebruar (tuisukuu) @ von Krahl
Rataskaevu 10, Tln
BASHMENT: VIDEO-DANCEHALL-DISKO
Erikülaline maailmakuulus Sounds of HipHop
DJ MÖLS,
kes seekord lisaks muusikale valib ka muuvid, gruuvid ja kõik muu
peoks vajaliku von Krahli ekraanile olles LIVE VJ ning miskides
reggae, dancehall ja muid muusikavideoid.
Mikrofooni oma hääletooni andmas Bashmendi kunn ja lavalaudade panter
MC J.O.C.
Muusikat kõlaritesse kruttimas Bashment KingzSoundi
RINGO,
TARRVI,
DICE RUDY
UKSED 22:00!
Bashment Caribba rumdrink all nite long!
Special guest U, mi Star!
Pääse:
ENNE KESKÖÖD flaieriga 75, ilma 100
AFTER MIDNIGHT w.flaier 100, without flaier 125
Print Flaier: http://www.bashment.ee
VABAPÄÄSMEID SEBIB: http://www.klubid.ee
[Intro:]
[Kiprich:] Kippo!
[Predator:] And di Predator, mad again
[Kiprich:] Gone!
[Predator:] Seh yes again, Grandspen
[Kiprich:] Waterhouse!
[Predator:] TG, Southside, head gone a South Africa
[Kiprich:] Spanishtown!
[Predator:] Dem a must, alright, mad son
[Kiprich:] Come on!
[Chorus: Predator (Kiprich)]
Mad, sick, head nuh good
Mad sick head nuh good (Jungle man dem! )
Mad, sick, head nuh good
Mad sick head nuh good (Waterhouse! )
Mad, sick, head nuh good
Mad sick head nuh good (Grandspen! )
Mad, sick, head nuh good
Mad sick head nuh good (Tivoli man dem! )
[Verse 1:]
[Predator:]
Man mad, but we a nuh clown wid it
Nah see mi step outta bound wid it
Nah see mi round downtown wid it
Man firm and a hold dem ground
[Kiprich:]
Police man chalice, and ten pound wid it
Mi decide seh mi nah go dung wid it
And mi girl suga cute plus round wid it
How mi fi lock off fi go bake and brown
[Predator:]
Man see A.K. when dem bare di sound wid it
One pop, chuck off and drown eid it
Gun nuh borrow, nuh come wid nuh round wid it
Stick yuh up fi yuh tings don't frown
[Kiprich:]
Somebody a go dead, di dog dem hound wid it
Rate ting don't come in my zone wid it
Chest gone, yuh head top blown wid it
Leff yuh family fi stress and moan
[Chorus: Predator (Kiprich)]
Mad, sick, head nuh good
Mad sick head nuh good (Waterhouse! )
Mad, sick, head nuh good
Mad sick head nuh good (Jungle! )
Mad, sick, head nuh good
Mad sick head nuh good (Grandspen! )
Mad, sick, head nuh good
Mad sick head nuh good (Tivoli! )
[Verse 2:]
[Predator:] Star respect to all headless people
[Kiprich:] Inna topless no head headless vehicle
[Predator:] Headless shotta, do headless evil
[Kiprich:] Rise up di hawk then and di headless eagle
[Predator:] One big family of headless people
[Kiprich:] Jamaica, Japan, France and Sweden
[Chorus: Predator (Kiprich)]
Mad, sick, head nuh good
Mad sick head nuh good (Jungle man dem! )
Mad, sick, head nuh good
Mad sick head nuh good (Waterhouse! )
Mad, sick, head nuh good
Mad sick head nuh good (Spanishtown! )
Mad, sick, head nuh good
Mad sick head nuh good (Whoa! )
[Verse 3: Kiprich]
Mi nuh tek chat, after catch a mi yuh blind
So a betta if yuh cool and [? ]
Mi nuh tek chat
Dem send dem fren fi find mi nine
But mi send dem back wid nine shot
Mi nuh tek chat, from ting mi nuh keep a lot
Cause a yuh free dem inna di envy and plot
Nuh matta how yuh and dem yuh move one part
Then come mek it inna life and still fi got
[Chorus: Predator (Kiprich)]
Mad, sick, head nuh good
Mad sick head nuh good (Jungle man dem! )
Mad, sick, head nuh good
Mad sick head nuh good (Waterhouse! )
Mad, sick, head nuh good
Mad sick head nuh good (Grandspen! )
Mad, sick, head nuh good
Mad sick head nuh good (Tivoli man dem! )
