Kuula järelkuulamisest eelmist TJUUN IN raadiosaadet - loosi lähevad 2 x piletid + 2 x Keldrist kõlab trummi ja bassi kogumik ning Theyareus singel - originaal + remixid neilt: InZtance,
Qba, Merimell, Bert on Beats ja Karel Kattai.
Ja otse ka muidugi, täna õhtul@ R2 22-00 Tjuun In:)
Taaskordselt on kätte jõudnud P.E.O.L "battle of vanad sõbrad" - omavahel mõõtu võtmas isa ja poeg, 172bpm ja 140bpm, dnb ja dubstep, kogemus ja jõuline pealehakkamine, pumppüss, pumppüss ja võnk võnk.
Meil on au teile teatada, et kohtuvad peoseeriad:
P.E.O.L. ja DUBSHACK!
dubstep:
SLIN
b2b
KRIO
b2b
BISWEED
trumm ja bass:
TO-SHA
QBA
Balou avab oma võlvid kell 23:00
Pilet on esimene tund ja flyeriga, mille sa prindid välja või joonistad ise €5
Ilma flaikuta ja peale südaööd pilet €7
meenub kui kuulus märt rannamäe ühel kunagisel SDMFga seotud intervjuul rääkis, et kuidas tema, alati kui ta on käinud Saksamaa suurtel reivil mängimas, on pidanud saatma ette 3-minutilise täpsusega oma pleilisti! Ja muidugi imestas, kuidas siin seda ei tehta või et keegi pole kuulnudki sellisest asjast, sest Saksamaa suurtel reividel muidu löögile ei saagi.
järgmisel P.E.O.L toimime samamooodi ja muidugi paneme siia listid:D saab enne välja valida, keda võtta, keda jätta;)
Raiden is something of a veteran producer these days so it's hard to believe that he's still never released an album. Not for much longer though, as his debut LP, Béton Armé, is out on his Offkey label around May / June. So what can we expect?
How come it's taken you so long to release an album?
I've always wanted to make an LP but I lacked the discipline and usually signed tracks to other labels. Now the time seems right as I'm finally making music I like and my abilities are at a stage where I feel I can represent myself properly. I'm particularly proud of this because as I've always wanted to make an LP but was always intimidated because it's such a large project. I always thought making an LP was going to be this life's work but in the end you just knuckle down get on with it!
Why the title?
Béton Armé is named after a style of 60s modernist architecture that uses striking repetitive angular geometries using reinforced concrete, also known as 'brutalist'. Brutalist buildings are infamously ugly, imposing buildings made worse by aging concrete. The city I grew up in was famous for having Europe's most ugly brutalist building called the Tricorn which was a huge source of inspiration for me growing up. Every time I looked at that building I felt inspired as it was a menacing structure but the architects dared to dream. As the designer of the Tricorn said "If people don't notice it, it's not architecture".
How does that relate to the vibe of the LP?
I wanted to make an LP that takes the same approach as brutalist architecture but in a musical from. Brash reinforced concrete beats, arcane angles where the ugliness becomes its beauty, but it also has the organic elements represent the life of these buildings. Each track is themed on a famous example of brutalist architecture such as the Trellick Tower and Ryuygong. Bizarre architecture music!
Did you use any new influences or sounds on this album?
This LP fuses my old and new influences. Béton Armé has my trademark heavyweight, technical bass but with organic percussive elements. I wanted to go back and perfect the old dark rave sound which has always been my biggest influence whilst combining my newer percussion elements and an organic hi-fi production using analogue equipment. I tried to take the more dancefloor influence of OffKey and fuse it with the percussion of my Voodoo output.
Raiden is something of a veteran producer these days so it's hard to believe that he's still never released an album. Not for much longer though, as his debut LP, Béton Armé, is out on his Offkey label around May / June. So what can we expect?
How come it's taken you so long to release an album?
I've always wanted to make an LP but I lacked the discipline and usually signed tracks to other labels. Now the time seems right as I'm finally making music I like and my abilities are at a stage where I feel I can represent myself properly. I'm particularly proud of this because as I've always wanted to make an LP but was always intimidated because it's such a large project. I always thought making an LP was going to be this life's work but in the end you just knuckle down get on with it!
Why the title?
Béton Armé is named after a style of 60s modernist architecture that uses striking repetitive angular geometries using reinforced concrete, also known as 'brutalist'. Brutalist buildings are infamously ugly, imposing buildings made worse by aging concrete. The city I grew up in was famous for having Europe's most ugly brutalist building called the Tricorn which was a huge source of inspiration for me growing up. Every time I looked at that building I felt inspired as it was a menacing structure but the architects dared to dream. As the designer of the Tricorn said "If people don't notice it, it's not architecture".
How does that relate to the vibe of the LP?
I wanted to make an LP that takes the same approach as brutalist architecture but in a musical from. Brash reinforced concrete beats, arcane angles where the ugliness becomes its beauty, but it also has the organic elements represent the life of these buildings. Each track is themed on a famous example of brutalist architecture such as the Trellick Tower and Ryuygong. Bizarre architecture music!
Did you use any new influences or sounds on this album?
This LP fuses my old and new influences. Béton Armé has my trademark heavyweight, technical bass but with organic percussive elements. I wanted to go back and perfect the old dark rave sound which has always been my biggest influence whilst combining my newer percussion elements and an organic hi-fi production using analogue equipment. I tried to take the more dancefloor influence of OffKey and fuse it with the percussion of my Voodoo output.
Auväärt külaline: RAIDEN ("Beton Arme" albumi presentatsioon)
Locod:
Sinda
Qba
To-Sha
Doors: 23.00
Ticket w flyer and before 00 5 eur/ after and other 7 eur
Maikuu - kellukeste ja rohelise kuu toob P.E.O.L.E külla kodumaise superstaari Raideni, kes ühtlasi presenteerib oma uut albumit Beton Arme!
Nii et tõenäosus, et kuuled reedel neid palu, mida sisaldab tema uus LP on sama suur kui see, et sa kuuled neid lugusid esimest korda.
Üle pika aja mängib Balous plaate ka Sinda ja mitte üldsegi üle pika aja Qba ning To-Sha. Nad teavad, mida nad teevad ja ka teie teate, mida nad teevad...
MACHINE NATION
16.aprill 2011 @ Partei (Rävala pst 8, Tallinn)
TEMPERED DJs (Manchester, UK)
Residendid: Meelis Meri & Merimell
...
Uksed: 23:00
Tempered Djs (ehk Pete Stanley ja Mike Knapper) on Inglismaa, täpsemalt Manchesteri tuntuim techno duo. Nende omanäolist saundi on andnud välja erinevad plaadifirmad nagu Tiger, 542, Mad Hatter, 1605 Music Therapy ja otse loomulikult nende „koduleibel“ Manchester Undeground Music (MUM). Tempered Djs loomingut mängivad heal meelel ka techno eesrindlikeimad vedajad maailmas, näiteks Carl Cox, Eddie Halliwell, Christian Cambas, Umek, Dubfire, Karotte jpt.
Tempered Djs on kui mitte ainus, siis kindlasti üks vähestest Eestit külastanud mitte „mainstream“ tantsumuusika tegijatest, kes on teinud koos Jason Nevins´iga ametliku remixi Britney Spearsile (loole Break The Ice).
Duo hakkas koos tegutsema 2007. aastal ja on sellest ajast välja andnud märkimisväärsel hulgal muusikat, neist tuntumad palad „That Picotto Track“, „What Is It!“, „People“ koos Funkfreekz’iga, „Age of Love“ (remiks) jne. Otse loomulikult käib dua ka Djna tuuritamas erinevatel kontinentidel maailmas. Esmakordselt jõuab üks Temeperd Djs osapool ka Eestisse, Tallinnasse, 16. aprillil klubisse Partei.
Üritusel Machine Nation, mille residentideks Meelis Meri ja Merimell, astub Tempered Djs ülesse kahetunnise technosetiga.
Märtsikuus on P.E.O.L. üritusteseeriat väisamas raskekaalu junglist ja DnB dj/produtsent DIGITAL. Photeki õpilane ja drum´n´bass´i suures mängus kaasa löönud juba 90ndate algusest, on Digital, keda on kutsutud ka lausa dnb imelapseks, kindlasti üks märkimisväärseid artiste väljas (out there). Kuna kõigele sellele lisanduvad veel tema Jamaika juured, siis me lihtsalt pidime Balousse ekstra bassi võtma!!
Niisiis, meil on au esitleda:
DIGITAL (plaadifirmad Funktion, Temah, Metalheadz) Inglismaalt
Peaesinejale oponeerivad ja poseerivad tublid residendid -
L.Eazy
To-Sha
QBA
Uksed avatakse kell 23.00
Pilet on esimese tunni ning kogu öö flyeriga €6/ peale südaööd €8
Baaris on barginid!
